Participation

 

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Untitled (Hommage to Mondrian), 2001, acrylic, six football balls, lots of people, variable dimensions. Intalled in group exhibition Urbanlab, Bienal da Maia, curated by Paulo Mendes, Maia, 2001. Collection Ivo Martins, on deposit at Fundação de Serralves – Museu de Arte Contemporânea, Porto. © Imagens Paulo Mendes

F_J_RIBEIRO_Untitled (World Cup)

F_J_RIBEIRO_Untitled (World Cup)

F_J_RIBEIRO_Untitled (World Cup)

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World Cup (Geo-Political Map), 2005, acrylic paint, 12 football balls, lots of people, variable dimensions. installed in the group ow Toxic. O Discurso do Excesso, curated by Paulo Mendes, at Angar K7, Fundição de Oeiras, 2005. © Imagens Paulo Mendes

Fernando J. Ribeiro_Skull Sculpture_2000

Fernando J. Ribeiro_Skull Sculpture_participation art_Exposição RISO_EDP- 2000

Compulsive Skin, 2000, plaster, wood, magic markers, lots of people, 120x152x55 cm. Exhibited  in group exhibition Plano XXI, Portuguese Contemporary Art, Cinema & Music, G-MAC (Glasgow Media Access Centre),Glasgow, 2000, curated by Paulo Mendes and António Rego. Exhibited in group exhibition “Riso. Uma Exposição a Sério,” Museu da Electricidade, Lisboa, 2012. Collection  Ivo Martins, on deposit at Fundação de Serralves – Museu de Arte Contemporânea, Porto.

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CRANIO

 In group exhibition “Proximidades e Acessos: Obras da Colecção de Ivo Martins,”  curated by Miguel Wanschneider, Culturgest, 2004, Porto. © Imagens: Paulo Mendes

MNAA

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In António Olaio (coord.), O Colégio das Artes em Directo do Museu Nacional de Arte Antiga, Colégio das Artes da Universidade de Coimbra, Coimbra, 2017

 

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Untitled (Femur), 1998, plaster, magic makers, lots of people, variable dimensions. Exhibited in group exhibition “Acasos e Materiais”, 1998, curated by Paulo Mendes, Círculo de Artes Plásticas, Coimbra, 1998. Collection Paulo Mendes, Porto. © Imagem: Paulo Mendes

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F_J_RIBEIRO_WISHES-FOR-SALE1

F_J_RIBEIRO_WISHES-FOR-SALE1

F_J_RIBEIRO_WISHES-FOR-SALE1

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All Wishes for Sale, 2004, cardboard, acrilyc paint, CDs, books, VHS tapes, vinyl, wire, variable dimensions. Installed at Galeria Monumental. Lisboa, 2004. © Imagens Paulo Mendes

In this work books, VHS cassettes, and CDs are sold without labels or references to the titles and authors, so that the visitors buy them in a sort of blindness.

 

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Always There (with António Caramelo), 2002, cardboard, photocopies, projector, variable dimensions; curated by Paulo Mendes. Presented in In Transit, Porto, 2002. Collection Ivo Martins, on deposit at Fundação de Serralves – Museu de Arte Contemporânea, Porto. © Imagens: Paulo Mendes

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freedom

freedom go to hell

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Freedom Go to Hell (London, 3 February 2006), 2012, plastic table, plastic chairs, puzzle, lots of people, variable dimensions. Installed in the individual exhibition Close-up, Espaço Campanhã, Porto, 2012

 

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lost and found

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 Lost and Found, 2012, magazines, paper, tape, cardboard, wood, pastels, lots of people, variable dimensions; in “Limbo” group exhibition, curated by Pedro Cabral Santo, at Plataforma Revólver, Lisboa, 2012

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