Naked Gaze #12, 2022, colour pencils, 42×29 cm each drawing

Untitled (European Union), in curatorial project “Political Capital”, in Umbigo #81, 20 years Ep. 2, Capitalism, jun-aug 2022,

Forever Mondrian (The Daily Telegraph, Friday 14 July 2017), 2020, C-print, 57×43 cm

Forever Mondrian (The New York Times, Friday 9 June 2017) and details, 2017, C-print, 58x46 cm. Exhibited on group show “Trabalho Capital. Greve Geral,” curated by Paulo Mendes, Centro de Arte Oliva, São João da Madeira, 2020.

Forever Mondrian (The New York Times, Wednesday July 12, 2017), and details, 2017, C-print, 58×64 cm

Forever Mondrian (China Daily. European Weekly, June 23-29, 2017) and detail, 2017, C-print, 53×42 cm. Exhibited in group show “Trabalho Capital. Greve Geral,” curated by Paulo Mendes, Centro de Arte Oliva, São João da Madeira, 2020.

Forever Mondrian (The Daily Telegraph, Friday 14 July 2017), and details, 2020, C-print, 57×43 cm

Naked Gaze #5, 2021, colour pencils, 42×29 cm each drawing

Untitled (Panorama), 2009, post-its, variable dimensions. In  group show “A Nossa Língua não Cura”, curated by Isabel Ribeiro, Espaço Avenida 211, Lisboa, 2009

A la Recherche de la Révolution Française, 2014, post-its, lots of people, variable dimensions.; exhibited in group exhibition “Art Stabs Power”, curated by Inês Valle, at Bermondsey Project, London, 2014. Collection Ivo Martins, on deposit at Fundação de Serralves – Museu de Arte Contemporânea.

Untitled (Kill Me), 2001, post-its, magic markers, variable dimensions.  Exhibited in group show “Regras do Jogo da Glória,” curated by Paulo Mendes, Artemosferas, Porto, 2001; exhibited in group show  “Proximidades e Acessos: Obras da Colecção de Ivo Martins,” curated by Miguel Wanschneider, Culturgest, 2004, Porto; exhibited in group show “A Arte como Experiência do Real: Colecção de Ivo Martins em Depósito no Museu de Serralves”, curated by Nuno Faria, Centro Internacional das Artes José de Guimarães, Guimarães. Collection  Ivo Martins, on deposit at Fundação de Serralves – Museu de Arte Contemporânea, Porto. 

Exhibited in group show “Regras do Jogo da Glória,” curated by Paulo Mendes, Artemosferas, Porto, 2001.

Untitled (Barak Obama Dixit) 2012, post-its, variable dimensions.

Untitled (Secret Song), 2019, post-its, ink, dimensions variable